CD:UK was a British music television programme. Originally run in conjunction with SMTV Live, the programme first aired on ITV on 29 August 1998 to rival the BBC's Live & Kicking and was the replacement for The Chart Show, which had been airing on the network for nine and a half years.In contrast to its predecessor, which only showed promo videos, CD:UK was broadcast live on Saturday mornings with a studio audience and featured live performances, as well as star interviews and competitions. It also featured the Saturday Chart, which although was unofficial, usually reflected the new chart positions a day before the official chart was announced on Radio 1. This made the BBC's long-running Top of the Pops, which aired only the night before, seem very out-of-date broadcasting the previous week's chart. CD:UK later utilised an interactive chart based on viewers' votes, called the MiTracks Countdown. From 1999 to 2004, the show was sponsored by Tizer.In 2002, the programmes was criticised for showing "raunchy" performances in a slot aimed at children, sparked by a performance of "Dirrty" by Christina Aguilera. In response, a spin-off programme entitled CD:UK Hotshots, featuring music videos which could be considered unsuitable for daytime viewing, was launched in January 2003 and broadcast overnight.

A New York City lawyer's life in the rat race collides with love and chaos when he meets a passionate Colombian entrepreneur from Queens.

Two playschool friends Bachchan and Gokhale meet almost after 70 years for a birthday party.

When Seung-min was on his first year at the Academy of Architecture, he met Seo-yeon. She was a musician student, and Seung-min totally fell in love with her. Years have passed, and now he meets Seo-yeon again - she asks him to rebuild her father's old house.

Heritage Architecture is a landscape film that plays over three 100' rolls of 16mm, loosely interweaving street scenes from Chinese and Taiwanese port cities through the interstitial space-time of alleyway homes, street markets, and festivals. In the city of Shanghai, heritage architecture is encapsulated within the petite bourgeois memory of longtangs; in Taiwan, this materializes through the spiritual economy of traditional temples. In the end, the hauntologies of these places are preserved in their heritage character which reveal simultaneously national, local, and personal histories that twist and turn alongside changing political powers and rapid urban development. -LJS

Jim grew up in a wealthy family with high social status. Being the only child, he is adored by both his parents and doesn't realise that he misses one aspect of life: Helping others. When he returns from studying abroad, he meets the motivated country girl, Noona. Her outgoing but selfless personality teaches Jim that true happiness comes from helping others, and especially helping the people that you most love. Jim discovers that his father sends money to Noona's village every month. Knowing this, he seeks out to her village to get the money back, but instead, he is stuck there for a month while they try to earn enough money for him. Determined to always gain his own profit, he goes through a wild journey of love, happiness, anger and sorrow. This lakorn portrays a story of a young man who once was an arrogant and selfish person, willing to get the better end of the deal until he meets a beautiful and wide-eyed girl who shows him how to truly survive in the world by helping others.

Dissatisfied with life at home, a young girl travels through other residences in her suburban neighborhood. She does what all of us would like to do: experience the domestic stories being played out by our neighbors. This tale is a voyeurist's paradise.